Introduction:
While the Amplify strategy acknowledges the importance of strengthening New Zealand's creative and cultural sectors, there appears to be insufficient focus on empowering creatives and arts and cultural organisations to independently create and distribute their own content. In today’s rapidly evolving media landscape, this is a critical oversight. New Zealand’s arts and cultural sector is teeming with creativity and activity, yet many creatives and organisations still lack the tools, skills, and infrastructure to effectively capitalise on their potential. Both emerging and established creatives face barriers to content creation that extend beyond artistic expression—issues such as access to digital platforms, production tools, and strategic knowledge in marketing and distribution.
Supporting the ability of creatives and arts and cultural organisations to independently produce and distribute their own content is not only vital for preserving and promoting New Zealand’s cultural identity, but it also offers significant economic benefits. Content creation can be a revenue-generating activity, with creatives and organisations gaining the ability to reach global audiences and monetise their work in ways previously unimaginable. Without adequate support for content production, New Zealand risks losing its cultural relevance in the global marketplace. A more robust focus on capability development within the sector will help foster a sustainable creative economy that thrives on both cultural and financial outputs. To achieve this, it is essential to equip creatives and arts and cultural organisations —both new and established—with the tools, training, and resources to succeed in a digital-first world.
Empowering Creatives and Arts & Cultural Organisations to Shape Their Own Stories
In today’s rapidly evolving media landscape, the ability to create and distribute content is a powerful tool for shaping cultural narratives. Without this capability, we risk losing control over our cultural relevance and identity. Content creation now rests firmly in the hands of those who can produce and share it directly with audiences. By empowering New Zealand’s creatives and arts and cultural organisations to tell their own stories, we ensure that the narratives shared are authentic, locally driven, and globally visible. This control not only preserves our identity but also amplifies New Zealand’s cultural contributions on the global stage.
The Shift to Digital Platforms
The rise of digital platforms like Instagram, YouTube, and TikTok has transformed how content is consumed and shared, offering creatives unprecedented opportunities to connect with new audiences worldwide. Creatives and arts and cultural institutions are no longer dependent on traditional media channels to showcase their work. Digital spaces allow for greater visibility, engagement, and creative expression. However, to succeed in this new digital landscape, it is vital for creatives to possess the technical skills and strategic knowledge required to produce high-quality content and navigate complex distribution channels.
The Tank Museum Case Study
A strong example of how content creation can extend reach and financial sustainability is the Tank Museum in Dorset, UK. With over one million subscribers on YouTube, the museum has leveraged digital platforms to engage a global audience, outpacing even the Louvre and the Met in terms of viewership. Through over 600 videos, the museum not only expanded its global reach but also generated substantial revenue. This demonstrates the dual benefits of content creation: engaging new audiences while also driving financial success. Cultural institutions, including New Zealand’s, can draw inspiration from such models, recognising content creation as a critical avenue for both visibility and sustainability.[1]
Preserving and Promoting National Identity
Content creation plays a pivotal role in preserving and promoting our arts and cultural heritage. By documenting and sharing traditional and contemporary art forms, cultural events, and historical narratives, we ensure that these elements of our identity are safeguarded and celebrated. When creatives control content production, they can tell their stories from an authentic perspective, engaging their communities and fostering international interest.
Indigenous communities are increasingly turning to digital platforms to share their stories, traditional knowledge and contemporary experiences. Through tools like podcasts and videos, communities are documenting and sharing content without the previous reliance on traditional media. This ability to self-represent negates issues of centralised misrepresentation, and the direct connection to audiences also allows these communities to educate others, foster appreciation, and assert their place in the global cultural narrative.
Louis Davis and the Global Appeal of Māori Culture
Louis Davis, a Māori content creator with over 200 million monthly views on TikTok, is a prime example of how self-representation can build global recognition and influence. By sharing Māori culture through his storytelling, Davis has created a platform that amplifies indigenous voices and engages international audiences. His story also illustrates how digital content creation offers economic and social opportunities, including returning to his whenua and raising his children with strong cultural ties. This example underscores the importance of empowering creatives to leverage digital platforms to build visibility and sustainable careers. [2]
Empowering Disabled Creators
Content creation empowers disabled creators by offering them a platform to share their unique experiences, talents, and perspectives, often challenging stereotypes and promoting a more authentic representation of disability. Through platforms like YouTube, TikTok, and Instagram, creators can control their narratives, presenting their stories on their own terms and breaking free from the traditional, often limiting portrayals seen in mainstream media. This autonomy gives disabled individuals the chance to showcase their lives with complexity and realism, offering a voice to those who might otherwise be overlooked.
In addition to providing visibility, content creation fosters a sense of community, enabling disabled creators to connect with others who share similar experiences. These creators can build supportive networks, exchange resources, and advocate for disability rights, helping to combat isolation and inspire others to pursue their own creative endeavours. The rise of accessible technologies and platform features, such as captions and screen readers, further enhances their ability to engage with a wider audience and make their content more inclusive.
Content creation also provides financial opportunities for disabled individuals, allowing them to monetise their work. This can provide an alternative to traditional employment, which may be inaccessible for some disabled people. By raising awareness of disability issues and promoting advocacy, creators can influence public opinion and advocate for change, pushing for better accessibility and inclusivity both online and in society. Through creative expression and collaboration, disabled content creators are shaping a more diverse and accessible digital world.
The Need for Education and Training in Content Creation
To thrive in the digital space, creatives and arts and cultural organisations must be equipped with the skills to produce professional-quality content and strategically engage with audiences online. Vocational education plays a key role in providing these essential technical and strategic skills, from video editing to digital marketing and content strategy. By fostering a mindset of self-representation and digital engagement, vocational training can empower creatives to build sustainable careers in the content creation industry.
Work-Integrated Learning and Industry Partnerships
Vocational education also offers valuable opportunities for work-integrated learning, allowing learners to gain hands-on experience through internships, mentorships, and industry partnerships. By collaborating with professionals in the creative and cultural sectors, learners can gain real-world insights into content creation, distribution, and audience engagement. These industry connections help to build professional networks, preparing learners for successful careers in the global digital economy.
Flexible Micro-Credentials for Tailored Learning
Flexible micro-credentials provide an alternative pathway for continuous learning and upskilling. These modular qualifications can allow creatives and arts and cultural organisations to build expertise in specific areas of content creation, such as video production, storytelling, and audience engagement. The flexibility of micro-credentials can ensure creative and cultural professionals stay relevant and adaptable to the changing demands of the digital world. These credentials could be accumulated over time and contribute to formal qualifications, equipping creative and cultural professionals with both the practical skills and recognised qualifications needed for success.
Conclusion: Our Creative Future Depends on Self-Told Stories
The future of New Zealand’s creative, cultural economy depends on our ability to shape and share our own stories. In the digital age, content creation is the key to ensuring that New Zealand’s cultural identity is preserved, celebrated, and projected to the world. By equipping creatives and arts and cultural organisations with the necessary tools, skills, and resources to create high-quality content, New Zealand can ensure that its unique cultural contributions are recognised globally. Embracing content creation as a strategic necessity will allow us to strengthen our position as a global cultural leader, engaging audiences worldwide and generating new economic opportunities in the process.
1 Curtis Lancaster & Jenny Kumah. BBC News, Bovington: Tank Museum videos become global social media hit, 15th September, 2023. Retrieved from Bovington: Tank museum videos become global social media hit, 13th November, 2024.
2 Te Aniwaniwa Paterson, Ohinga NZ, Why the world wants to see Māori content creators
Tuesday, 6 August 2024. Retrieved from Why the world wants to see Māori content creators – Te Ao Māori News, 13th November, 2024.