Brand Experience Design

 
Portrait of Kathryn McCully

Designing Experiences That Connect People and Purpose

Your brand is not your logo or your tagline. It is the emotional connection people form through every interaction they have with you.

The environments you create, the stories you tell, and the experiences you provide shape how people understand your organisation. They influence what people remember, how they feel, and whether they choose to engage with you again.

By understanding the needs, behaviours and emotions of the people you serve, experiences can be intentionally designed to remove barriers, strengthen connection and create moments that are meaningful and memorable.

Kevin Downie speaks to secondary school students at the Soled Out sneaker and streetwear experience

Secondary school students visit Soled Out and hear from sneaker and streetwear collector Kevin Downie

I help organisations design better experiences — from the first interaction through to the lasting impression people take away.

Your brand is not just what you say about yourself; it is what people experience. I work with organisations to identify where experiences are disconnected, remove barriers, and create meaningful interactions that better reflect their purpose, values and story.

Whether you need to strengthen customer or user journeys, engage audiences in new ways, communicate your story more effectively, or build capability across your teams, I bring together experience design, storytelling, and vocational education expertise to create experiences that connect people with your organisation.

SIT Centre for Creative Industries: SIT Has Big Plans For St John's Church Redevelopment

Services: Designing Experiences That Bring Purpose to Life

Through experience design, I help organisations create meaningful interactions that reflect their purpose, strengthen relationships, and connect people with what they do.

I work with you to:

  • Design experience ecosystems that connect your story, values, people, environments and digital touchpoints to create consistent and meaningful experiences.

  • Identify opportunities to improve customer and user journeys, removing friction and creating interactions that feel authentic, intuitive and engaging.

  • Create dynamic experiences across physical and digital environments through storytelling and ongoing engagement opportunities.

  • Build team capability through professional development, helping people understand their role in delivering experiences that reflect your organisation’s purpose.

  • Strengthen connections between organisations and their audiences by bringing together storytelling, creativity, learning and community engagement.

John Wishart, Abandoned Works, Night of the Arts, McCulloch Architects

Transformation Through Experience Design

At the Southern Institute of Technology, I reimagined Creative Industries training — creating programmes and spaces where learners actively engage, build skills, and connect with industry. This included developing the proposal for the Centre for Creative Industries, designed with input from teams, leadership, industry, and community to ensure immersive, future-focused learning.

Why does vocational training say goodbye to its graduates

In higher education, your people are the experience

Why paying for tertiary education today must deliver real career value

Making vocational training work for regional communities

ILT Art Awards opening experience

ILT Art Awards at the Southern Institute of Technology

At the Ashburton Public Art Gallery, I designed experiences that brought art, learning, and community together. Highlights included touring exhibitions Modulations: Cantata Reconfigured and The Making of the Word Witch, alongside ongoing initiatives such as the children’s club, film society, author’s afternoons, multicultural festival (Multi-cultural Bite), gallery retail, and the gallery’s first website. Each initiative combined storytelling, hands-on learning, and community participation, making the gallery a hub for creativity, cultural connection, and meaningful audience engagement.

What are museums actually selling?

Museums in the attention economy: from buildings to purpose-driven experiences

From storage to storytelling: rethinking how we preserve collections

What if we stopped thinking of museums as just places you visit—and instead as global content creators & educators?

Lyn Plummer's Constellation Haze at the Eastern Southland Gallery in Gore

Lyn Plummer, Modulations #4: Constellation Haze at the Eastern Southland Gallery.

Photography by Rodney Browne